Pacific northwest art10/30/2022 ![]() ![]() His art was unique, and for more than 20 years sought after by museums and private collectors around the world. Singletary refined a sand blasting technique that allowed him to draw ravens, salmon and other imagery onto glass, then blast away the top layers to create multi-colored glass renditions of traditional baskets, masks, even ceremonial screens. “Every glassblower has made that shape at some point or other when developing their skills.” “The first pieces I was developing were upside-down hat forms,” he says. He began to decorate the glass he blew with form line imagery. For that, Singletary had to acknowledge the cultural heritage he had all but taken for granted. But he continued to seek out people who could help him develop his glass skills: everyone from regional stars like Marioni to Italian master craftsmen who came to work and teach at Pilchuck.īut mastering a craft isn’t necessarily the same thing as forging a unique artistic identity. He played in a couple of bands, performing and recording. He enjoyed the work, but like so many teenagers in the 1980s, he dreamed of a career as a rock musician.įor years, Singletary bounced between two art forms. After Singletary moved to the day shift, the studio artists began to teach him their craft. “It felt really special, like New York in Wallingford,” Singletary laughs.ĭante got his friend a job as a night watchman at Seattle’s Glass Eye Studio, a shop that still produces ornaments, paperweights and other glass objects. ![]() Marioni’s father, Paul, is a noted Seattle glass artist the two students hung out in his Wallingford studio after school. Singletary was introduced to studio glass during high school, through his good friend and fellow artist Dante Marioni. ![]()
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